TWB 7 is an event organized in the frame of WALC – Walking Arts and Local Communities, with the support of the EU Creative Europe Cooperation grant program.

Freedom as Practice

Freedom, in the context of walking, is not merely a metaphor — it is inscribed in the rhythm and spatial presence of a body in motion.
As Frédéric Gros writes: “While walking, we escape the very idea of identity, the desire to be someone, to have a name and a history… The freedom experienced while walking consists in being no one, because the walking body has no history; it possesses only an eternal current of life.”
Yet the question is not simply whether freedom exists, but who has the right to exercise it. The ability to walk — to exist and to move through space — is not equally guaranteed. For many people across the world, displacement, war, ecological crises, and economic precarity transform walking into an act of survival rather than liberation. Bodies are forced into movement, confined to migratory routes, transit zones, or temporary shelters, revealing how the right to move remains fragile and contested.
At the same time, the freedom to walk is also negotiated in everyday environments that appear stable and secure. The right of a disabled body to move through the city, or of a child to exist and walk safely in public space, reminds us that mobility is never simply given. What we often take as ordinary freedom is in fact shaped by infrastructures, social norms, and political decisions that determine whose bodies are welcomed, protected, or constrained in space.

The Walking Body 2026 approaches walking as a fragile commons of freedom — a condition that must be continuously renegotiated through practices of attention and solidarity. Grounded in collective artistic processes, the project foregrounds walking as an ongoing practice: a way of being that requires accompaniment, listening, and relation. In this sense, freedom does not appear as a fixed state, but as something that emerges through co-presence — through acts of care, through making space for others, and through collectively reshaping both the paths we inherit and those yet to come.

The Walking Body is organised by Lab2PT – Laboratory of Landscapes, Heritage and Territory, in collaboration with Made of Walking / The Milena Principle, as part of the European project WALC – Walking Arts & Local Communities, supported by the European Union’s Creative Europe programme. It also has the support of the Municipality of Guimarães (Bairro C / IMPACTA).

TWB will take place from 23rd of March to 16th of April in Guimarães, in Bairro C, with the meeting point at the Garagem Avenida Gallery/School of Architecture, Art and Design. TWB includes a week of walkshops, a dusk talk with the invited artists and an exhibition.

Free event upon registration: https://forms.gle/MHp3pit4aEVqRBfZA

During the event, photographs, video and audio recordings will be made for the purposes of documentation, promotion and dissemination of The Walking Body, namely on digital platforms and in editorial publications, ensuring ethical and respectful use of participants’ images.

TWB has 6 artists taking part in the workshops: Anna Lehtelä (FIN), Geert Vermeire (BE), Miguel B. Duarte (PT), Natacha Antão (PT), AVE – Associação Vimaranense para a Ecologia (PT) and ReRouting [Clementine Butler-Gallie (GB) & Viviane Tabach (BR)].

ReRouting - March 23, 25 & 26

Footnotes to Freedom

Footnotes to Freedom is a three-part workshop series that explores how experiences of freedom are located, felt, and expressed in the city of Guimarães. Combining mapping, conversation, clay work, and the collective production of a performative walk, this workshop transforms reflections on freedom into a shared public gesture. Participants are invited to reflect on where and how they experience freedom in urban space and how these moments connect to broader questions of access in public space.

Workshop 1: Searching Freedom in the City
(Monday 23.03, 10 AM. 2 hours)

Where in Guimarães do you experience a sense of freedom and what makes it possible? We will share, discuss, and map responses together. Expanding from a collection of prepared references, the group will then produce written “footnotes to freedom”: fragments, quotes, scores, drawings and noted observations that emerge from the conversation.

Workshop 2: Tracing Freedom with Clay
(Wednesday 25/25.03, 10:30AM. 2.5 hours)

This workshop investigates freedom through the materiality of clay. Working with the material, participants are invited to reflect on their places of freedom and translate aspects of these experiences into forms, traces, text, or gestures on the surface. The resulting works will be collectively assembled into a single installation, to be presented in the university’s exhibition space.

Workshop 3: Setting the Pieces Free
(Thurday 26.03, 4:30 PM. 1.5 hours)

In a collective walk from the Galeria da Garagem Avenida space to Associação Convívio, participants set the clay work free in public space. Each placement is accompanied by the performance of a footnote (spoken, acted, or simply placed). The clay pieces and footnotes are photographed, forming an archive of this co-authored performative walk whilst the pieces live on in-situ.

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Geert Vermeire (BE) - March 23, 24 & 26

Space Writing – Peace Walk

 

Inspired by Michel de Certeau’s reflection that “Walkers write the text of the city, without being able to read it,” this workshop proposes walking as a collective act of writing — with the body, in space, and across scales. The walkshop invites participants to explore Guimarães not through a panoramic, cartographic gaze, but through embodied inscription.

During the workshop, participants first engage with the city digitally, tracing the letters of the word Peace (in their own language) onto a map of Guimarães. These drawn letters become spatial itineraries. The urban layout, usually perceived as fixed and univocal, is transformed into a field of possibilities — open, relational, and affective.

Over several days, walkers follow these letter-forms physically through the city. On the final day, participants move silently through the streets — even in the rain — walking the word Peace. They do not merely read the map; they write it with their bodies. The collective walking body becomes a moving script across the skin of the city.

The map itself is reduced to a single word, challenging the conventional idea of mapping as panoptic and geometric. The route shifts direction, fragments, recomposes. Participants share the path spontaneously, carrying peace as a gesture rather than a slogan. What is written is a secret message, legible only through walking.

Extending beyond Guimarães, the workshop connects to an Earth Alphabet for Peace: participants worldwide draw and walk the word Peace in their own landscapes using Google Maps and CGeomap, generating a global, geolocated, locative media cartography — a planetary choreography of embodied writing.

Walking becomes both intervention and invitation: a performance between fiction and reality, and a collective reimagining of urban and earthly space.

 

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Natacha Antão - Ongoing

Freedoms that Walk: I promise…

There is a starting point. A blank sheet of paper. A gesture. A promise.

In this ongoing workshop, each participant is invited to write, draw, or inscribe a promise—whether personal or collective, fragile or impossible. Each promise now lives on a sheet of paper, all sheets are the same size and are fixed to a common wall. Each new promise must connect to another existing one through a line, creating a living cartography where no freedom remains isolated.

Here, to promise is to commit oneself in a shared space. Interventions can bring together, contradict, overlap, or tear apart. Each gesture transforms the previous one. Freedom ceases to be an individual territory and becomes a relational practice.

Throughout the week, the wall is constructed as an unstable map of bonds and tensions. And there is still one decisive possibility: promises can be taken by others. Those who take them on assume the responsibility of continuing, keeping, or transforming what they did not write. What remains is a void, a trace, an absence that also becomes part of the design.

Losing, finding, taking, sharing.
Letting go as a form of compromise.

In the end, the remaining sheets will be gathered in a book-object—a trace of a collective journey where freedom is experienced as relationship, risk, and responsibility.

 

Participants nr: Open
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Anne Lehtela - March 24, 25 & 28 - 8:30 am

Belonging & Letting Go:
Freedom Morning Running Club
3 mornings (e.g. Tuesday, Wednesday, Saturday, 8:30–9:45)

This morning running club combines gentle running with conversation. We will talk about the things we are “running into” in life — struggles, burdens, and experiences we wish to release and find freedom from. Each morning has its own theme, explored through discussion on both a personal and a societal level. The aim is to lighten the load by sharing and reflecting together.

Running takes place in a small group or in pairs, with groups naturally forming according to individual pace. The intention is to create a safe and supportive space for conversation while ensuring that everyone can move at a pace that feels comfortable for them.

Participants are warmly invited to suggest running routes and to introduce local terrain to the group if they wish.

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Duration: 1:15H*
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Meeting point: Art gallery Garagem Avenida
Meeting time: :30

*Duration: Approximately 1 hour of running, followed by stretching together.
Language: Guidance and joint discussion in English; pair work in any language preferred by the participants.

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AVE & Miguel Duarte - March 27 - 8:30 am

Free Steps Between Walls and Hills (ENG)

 

Free Steps between Walls and Hills is a 22 km walk from the center of Guimarães to Citânia de Briteiros.
This walk, promoted by AVE – Associação Vimaranense para a Ecologia, in partnership with The Walking Body, proposes itself as a practice of sensitive inscription in the territory, where the movement of the body is not merely displacement, but a way of thinking, perceiving, and generating relation. Walking becomes here a locative gesture: an act through which space ceases to be a backdrop and asserts itself as a relational field, woven through the interaction between body, environment, memory, and imagination.

The long duration of this route plays a decisive role. It is in the prolongation of effort, in the rhythm of breathing, and in the alternation between silence and conversation that the group transforms into a collective body, attuning speeds, pauses, and levels of attention. The tempo is not imposed — it emerges from mutual listening, from the terrain, the climate, and the texture of the ground. Walking at length becomes an exercise in synchronization between interior and exterior, between physiological time and the time of the landscape.

Between Guimarães and the Citânia de Briteiros, the route crosses walls and hills that are both geographical and symbolic. Each boundary crossed becomes a perceptual threshold; each elevation, a device for reading. The territory presents itself as a living archive where natural and cultural processes coexist, opening to plural interpretations and to narratives in constant reformulation.

In this walk, freedom does not present itself as an abstract or guaranteed condition, but as a situated experience emerging from co-presence, shared attention, and the possibility of walking together. The walk thus affirms itself as an ecological and ethical practice: a way of inhabiting space that requires care, reciprocity, and responsibility toward the multiple forms of life that constitute it. (MD)

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Dusk Talk is a conversation between local, regional, and international guest artists, dedicated to the theme of Freedom, for sharing experiences and artistic practices and building professional and emotional networks among participants.
 
 
Number of participants: limited to room capacity.
Duration: 1:30 H
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Meeting point: Convívio – Cultural Association
Largo da Misericórdia 7 e 8, 4800-413 Guimarães
Meeting time: 6:30 pm
 
 


Anne Lethelä
(FIN)    https://annelehtela.com/
Anne Lehtelä (Master of Art & Master of Administrative Sciences) is a visual artist located in Finland working with conceptual and installation art. She uses running as a method in her artistic practice. Her work explores socially engaged themes, with a focus on social inequality, political systems, borders, and processes of change.
Lehtelä has held several solo exhibitions in Finland and has participated in group exhibitions internationally. She is the Chair of the Representative Board of the Finnish Artists’ Association.
Alongside her artistic practice, Lehtelä works as a specialist on artists’ working conditions at the Finnish Arts and Culture Agency. She also serves as Finland’s national reporter to the European Commission on artists’ working conditions and artistic freedom in Finland.

AVE – Associação Vimaranense para a Ecologia (PT)    https://ave-ecologia.org/
AVE is a Non-Governmental Environmental Organization based in Guimarães with 25 years of activity. Its mission is to defend and promote the natural and built environment through awareness-raising, environmental education, and civic engagement. It promotes sustainable development, organizes educational walks, and monitors urban projects. It participates in public discussions on local plans and policies and challenges projects with significant environmental impact. Its most recognized annual activity is Ecorâmicas: a documentary film showcase on environment and society, now in its 10th edition, addressing diverse themes such as eco-activism, forests, public space, and biodiversity.

Geert Vermeire (BE)    https://supercluster.eu/geertvermeire/
Geert Vermeire is a poet, artist, curator, and cultural producer specializing in walking arts, sound art, and locative media. With a nomadic practice spanning Portugal, Spain, Greece, and Brazil, his recent work has centered on ecological intelligence, participatory walking art, and interdisciplinary collaboration.
Since 2019, Vermeire has co-directed the biannual International Walking Arts Meetings/Conferences in Prespa, Greece, which has brought together over 600 artists and researchers. This event fosters artistic exchange through walking, sound, and locative media in the ecologically significant Prespa region. Building on this, he co-founded the Walking Arts and Relational Geographies Encounter in Catalonia in 2022, now preparing for its third edition in 2026.
This goes along with co-organizing The Walking Body, an international workshop and artist’s meeting on the arts of walking in Guimarães, Portugal, together with Natacha Antão Moutinho and Miguel Bandeira Duarte (Lab2PT / University of Minho). This collaboration also led to the 2020 International conference *Fluid Bodies / Drifting Spaces* in Guimarães, further expanding the discourse on walking as an artistic practice.
In 2019, Vermeire co-founded walk listen create, a global platform for walking artists, which has since grown to a network of over 6,000 registered users worldwide. That same year, he launched Locative Media Supercluster, an educational platform exploring collaborative mapping and media walks in response to planetary crises. This initiative has led to partnerships with King’s College London, the University of Canberra, and COP27 in Egypt, among others.
Since 2024, he has been the artistic co-coordinator of the EU-funded Walking Arts and Local Communities (WALC) project (2024-2027). This initiative, spanning five countries, is establishing an International Center for Walking Arts, connecting European residencies, workshops, and exhibitions while integrating locative media and online learning.
From 2025 to 2026, Vermeire is curating the Yamuri project (France/Mexico), an immersive sound art installation inspired by the walking rituals of the Rarámuri people and Antonin Artaud, promoting artistic exchange between France and Mexico.
Throughout his recent work, Vermeire has remained deeply engaged in ecological, technological, and community-based artistic practices, expanding the role of walking and sound as tools for learning, activism, and artistic innovation. His interdisciplinary collaborations continue to shape the evolving landscape of locative media and walking arts worldwide.
Interview with Geert Vermeire :
https://www.livingmaps.org/geert-vermeire

Miguel B Duarte (PT)    https://miguelbduarte.wordpress.com/
Miguel B Duarte is an Assistant Professor at the School of Architecture, Art, and Design at the University of Minho and a researcher at Lab2PT (Landscape, Heritage, and Territory Laboratory, R&D unit). As a researcher and artist specializing in Drawing and Walking Art, he co-organized the Drifting Bodies Fluent Spaces conference in 2020 and The Walking Body workshops (walk.lab2pt.net) since 2018. He is also a co-founder and researcher of WALC (Walking Arts & Local Communities), a European project.

Natacha Antão (PT)    https://natachaantao.wordpress.com/
Natacha Antão is an artist, researcher integrated in Lab2PT (Landscape, Heritage and Territory Lab) and teaches at the School of Architecture, Art and Design of the University of Minho (EAAD), since 2006. She is editor of PSIAX, a journal active since 2002, publishing studies and reflections on drawing and image. Her most recent interests focus on artistic and research practices through walking, developing since 2018 the experimental laboratory The Walking Body (+info at https://walk.lab2pt.net). She also investigates the impact of the practice of walking on pedagogical and artistic innovation, at the crossroads with landscape, drawing and representation.

ReRouting (with Clementine Butler-Gallie (UK) and Viviane Tabach (BR))  www.thereroutingproject.org/walk-archive 
The ReRouting Project (ReRouting) is a multidisciplinary curatorial platform that explores walking together as a method for artistic encounter and exchange. Founded in 2022, it develops site-responsive formats that connect artists with local and international publics through walk-actions, walking residencies, workshops, and public programs,  including the year-long project Dissident Paths with nGbK Berlin, curated in collaboration with Cruising Curators. ReRouting approaches the walk itself as a curatorial space, using movement to question and expand exhibition-making formats. Rather than prioritizing material outcomes, the platform centers process-based and participatory practices that engage embodied practices, shared authorship, and cultural production grounded in dialogue and lived experience.

Map Scramble 1, 2, 3

 

There is growing interest in how each of us documents walking art, especially as walk · listen · create and its predecessor, the Museum of Walking, has been gathering archival walking pieces for almost 10 years. Early last year, Clara Gari of Nau Côclea, our EU partner in the Walking Arts and Local Communities project, hosted a Confluence on ‘documenting walking art’ with guest Ernesto Pujol, and subsequently ran a Spanish language event to further discuss the outcomes of the original Confluence.

Prompted by the closing of the Secret Maps exhibition at the British Library, we invited members of the Walking Artists Network to present and discuss why they choose maps to document their walking art. This invitation was taken up by more than 20 walking artists, and it is with pleasure that we are offering to begin with, 3 Map Scrambles as we have labelled them, for as many of these walking artists to present their map work.

The online events will each include 3-4 minute presentations by 4-8 walking artists followed by discussion. Owing to technical and time constraints and to create sufficient time for thoughtful discussion we have asked each of the presenters to either audio record themselves, or creating a narrated powerpoint or video, of no more than 4 minutes talking about their pieces and maps.

The questions we are asking them to address in their 3-4 minute presentations are:

A) Who you are and what was your walking piece that you documented with a map? 

B) Why you chose a map to document your piece?

C) The process of creating the map?

D) What were the plus points from having the map?

E) On reflection, what would you have done differently to improve on what you did, and why?

Walking artist presenters for this evening’s event are: David HaleyBryony HusseyLucy FurlongAlison BellJanette Kerr, Dana Papachristou, Jenny StaffEmily Artinian and Lin Charlston.

Map Scramble 2 will take pace on Wednesday 25 March with walking artist presenters: Marlene Creates, Kate Monson, Ruth Broadbent, Roger Boyle, Idit Nathan, Martin Eccles, Barbara Lounder and Rachel Gomme; followed by Map Scramble 3 on Thursday 26 March with walking artist presenters: Tamsin Grainger, Hannah Stageman, Fiona Hooton, Bill Psarris, Elspeth Penfold, Daniella Turbin, Petra Johnson and Claudia Zeiske.

23 March https://wlc.zone/8lx

25 March https://wlc.zone/8ly

26 March https://wlc.zone/8lz